Amelia
Amelia's Liberation: A Tale of Love Unbound
Lyrics
Daylight's wakin' up to end
Daylight is breaking, signaling the end of an experience or time.
Our midnight expedition
Refers to a nighttime adventure or journey.
So I walk out and he walks in
Indicates a change in companionship, possibly a shift in relationships.
All in all it's such a shame
Expressing disappointment or regret about the situation.
You're afraid to leave him
Suggests fear of leaving a person (him) despite the negative situation.
You always think that you're to blame
Feeling a sense of self-blame or guilt in the relationship.
There's just no proof that he's
Questioning the absence of evidence that he deserves trust or belief.
Given you reason to believe
Doubting the partner's credibility or honesty.
He's the one you need
Despite doubts, acknowledging a perceived need for him.
Amelia
Calling out the name "Amelia" as a central figure in the narrative.
Don't be ashamed if you get lonely tonight
Encouraging Amelia not to feel ashamed if she feels lonely.
Even when you're layin' by his side
Even when physically close to him, loneliness might persist.
Amelia
Repeating the name and emphasizing the message to Amelia.
Don't let time make you think you owe him something
Advising against feeling indebted to him over time spent together.
Lovin' someone else is not a crime
Asserting that loving someone else is not a wrongdoing.
Oh my Amelia
Reiterating the emotional connection with Amelia.
Oh my my Amelia
Emphasizing the personal connection by repeating Amelia's name.
Say you love him but I know
Noting that Amelia claims to love him but may not truly feel it.
You don't really mean it
Expressing skepticism about the sincerity of Amelia's love.
Cuz you keep blowin' up my phone
Highlighting Amelia's tendency to contact the speaker despite her commitment.
And I don't mind bein' the one
Indicating a willingness to be there for Amelia when needed.
When he's gone you run to
Amelia turns to the speaker in the absence of him (her current partner).
It's just been goin' on so long
Reflecting on the duration of this complicated situation.
The fact you're here with me
The fact that Amelia is with the speaker should be a reason to leave her current partner.
Should be the reason that you need
Stressing that being with the speaker should be motivation to end the current relationship.
To pack up and leave
Reiterating the call for Amelia to leave her current partner.
Amelia
Calling out to Amelia again, reinforcing the message.
Don't be ashamed if you get lonely tonight
Reassuring Amelia not to feel ashamed if she experiences loneliness.
Even when you're layin' by his side
Emphasizing that loneliness can persist even when physically close to her partner.
Amelia
Repeating the message about not owing anything to her current partner over time.
Don't let time make you think you owe him something
Reiterating that loving someone else is not morally wrong.
Lovin' someone else is not a crime
Stressing the point that loving someone else is not a crime.
Oh my Amelia
Calling out to Amelia again, expressing a connection.
Oh my my my my my
Repeating "Oh my my" as a vocal expression of emotion.
Oh my my my my my my
Continuing the emotional expression with repetitions.
Oh my my my my my eeeeyyyyyeeeee
Extended vocalization emphasizing emotion.
Amelia
Calling out to Amelia one more time, maintaining a connection.
Amelia
Repeating the name as a closing refrain, maintaining the emotional link.
Don't be ashamed if you get lonely tonight
Reassuring Amelia again about loneliness and lack of shame.
Even when you're layin' by his side
Highlighting the persistent possibility of loneliness even when physically close to her partner.
Amelia
Reiterating that time should not make her feel indebted to her current partner.
Don't let time make you think you owe him something
Emphasizing that loving someone else is not a crime, reiterating the message.
Lovin' someone else is not a crime
Closing statement, reinforcing the idea that loving someone else is not morally wrong.
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