Milkshake

Repetition of "La la" sets a playful and rhythmic tone.

Instruction to warm something up, possibly metaphorical.

Repetition of "La la" continues the rhythmic pattern.

Suggests anticipation as boys are waiting for something.

Reiteration of warming up, building on the anticipation.

Warm it up

Reiteration of boys waiting, intensifying the sense of anticipation.

The boys are waiting

Proclamation that the singer's "milkshake" attracts boys, implying desirability. "I can teach you, but I have to charge" suggests a transactional element.

And they're like, it's better than yours

Damn right it's better than yours

I can teach you, but I have to charge

Reiteration of the singer's appeal and the notion of charging for the knowledge.

And they're like, it's better than yours

Damn right it's better than yours

I can teach you, but I have to charge

Repeated affirmation of the singer's ability to attract boys to the yard.

Boys to the yard x6

Continuation of the theme of the singer's milkshake being superior and the implied cost of learning its secret.

And they're like, it's better than yours

Damn right it's better than yours

I can teach you, but I have to charge

Repetition emphasizing the singer's confidence, desirability, and the associated cost.

And they're like, it's better than yours

Damn right it's better than yours

I can teach you, but I have to charge

Further reinforcement of the singer's allure and the necessity of payment for the knowledge.

And they're like, it's better than yours

Damn right it's better than yours

I can teach you, but I have to charge

Continued assertion of the superiority of the singer's milkshake and the requirement for payment to learn the secret.

And they're like, it's better than yours

Damn right it's better than yours

I can teach you, but I have to charge

Repetition of the warming up and boys waiting, maintaining the established themes.

Warm it up

La la, la la, la

The boys are waiting

La la, la la, la

Warm it up

La la, la la, la

The boys are waiting

Reiteration of the singer's ability to draw boys to the yard, with the same transactional undertone.

And they're like, it's better than yours

Damn right it's better than yours

I can teach you, but I have to charge

Continuation of the theme of the singer's milkshake being superior, with the recurring notion of charging for the secret.

And they're like, it's better than yours

Damn right it's better than yours

I can teach you, but I have to charge

Repeated affirmation of the singer's success in attracting boys to the yard.

Boys to the yard x6

Reiteration of the singer's confidence, desirability, and the associated cost of learning the secret.

And they're like, it's better than yours

Damn right it's better than yours

I can teach you, but I have to charge

Continued assertion of the superiority of the singer's milkshake and the requirement for payment to learn the secret.

And they're like, it's better than yours

Damn right it's better than yours

I can teach you, but I have to charge

Repetition emphasizing the singer's allure, desirability, and the associated cost.

And they're like, it's better than yours

Damn right it's better than yours

I can teach you, but I have to charge

Final affirmation of the singer's ability to attract boys, with the recurring theme of charging for the knowledge.

And they're like, it's better than yours

Damn right it's better than yours

I can teach you, but I have to charge