Streetlamp Headache

Heartbreak at 90: Streetlamp Headache Chronicles a Love Lost on the Freeway
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Lyrics

I'm fallin' down, I'm fallin' fast

The speaker feels like they are falling quickly and uncontrollably.

I'm headed for a wall

They sense impending failure or an obstacle ahead, possibly in a relationship or life.

I'm breakin' my own heart

The speaker feels emotionally hurt and shattered due to thoughts of the lies told by someone.

Thinkin' about your lies, oh baby

Reflecting on the deception caused by the person they're addressing as "baby."

You've locked me down, you've kicked me out You've left me on my own

Describes feeling abandoned, isolated, and rejected by the person addressed.

Oh why, oh why do I keep comin' back upon your siren's call

Despite being aware of the negative aspects, the speaker keeps returning to the person due to a captivating allure.


Woah, you're a harlot takin' over my dreams

Characterizes the person as captivating but potentially harmful to the speaker's dreams.

Woah, but I can't sleep at night without you, baby

The speaker admits dependency on the person despite the troubles caused.


I got a streetlamp headache, night after night drivin' alone

Expresses a recurring headache or distress experienced metaphorically while driving alone at night.

90 down the freeway, the only place I call my own

Driving at high speed on the freeway is the only solace or refuge for the speaker.

What do you want, what do you need

Questions directed at the person regarding desires and necessities.

What am I supposed to do

Expresses confusion and a lack of clarity about what actions to take.

What am I to you

The speaker wonders about their role and significance in the other person's life.


I'm overwhelmed, can't see what's next

The speaker feels overwhelmed and unable to perceive the future clearly.

I'm getting tunnel vision

Sensory metaphor indicating a narrow focus, unable to see beyond immediate problems.

Towering cityscapes, I've lost my place,

Feeling displaced or lost in a vast urban setting.

My highway death sentence

Describes the freeway as a symbol of entrapment or a path leading to a grim fate.


Look to my eyes, see my surprise,

The speaker challenges the other person, attributing blame for their distress.

"It's all your fault again"

Quoted words expressing the speaker's frustration towards the other person.

Why don't you check the mirror

Encourages the other person to self-reflect and acknowledge their mistakes.

See your error

Urges the other person to recognize their faults and take responsibility.

And apologize

Requests an apology from the other person for their actions.


Woah, you're a harlot takin' over my dreams

Reiterates the captivating yet detrimental nature of the other person in the speaker's dreams.

Woah, but I can't sleep at night without you, baby

Expresses the difficulty the speaker faces in sleeping without the other person.


I got a streetlamp headache, night after night drivin' alone

Repetition of the feeling of distress and headache while driving alone at night.

90 down the freeway, the only place I call my own

Reiterates the freeway as the only place where the speaker feels a sense of belonging.

What do you want, what do you need

Continued questioning about the desires and needs of the other person.

What am I supposed to do

Reflects the speaker's confusion about the appropriate course of action.

What am I to you

Repeats the query about the speaker's role and importance in the other person's life.


I got a streetlamp headache, night after night drivin' alone

Reiteration of the distress felt while driving alone at night, emphasizing the recurring nature of the experience.

90 down the freeway, the only place I call my own

Repeats the freeway as the only place providing a sense of ownership or belonging for the speaker.

What do you want, what do you need

Continued inquiry into the desires and needs of the other person.

What am I supposed to do

Expresses uncertainty about the appropriate actions to take in the situation.

What am I to you

Repeats the query about the speaker's significance and role in the other person's life.

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