Lyrics
When you see me you can't resist
Expressing the irresistible attraction when the speaker is seen.
You want my name on your telephone list
Desire for the speaker's name to be added to a list of contacts.
In your dreams and on your mind
Presence in dreams and thoughts of the person being addressed.
Tonight's the night I could make you mine
Suggesting an opportunity for a romantic connection tonight.
Later on just me and you
Anticipating a private moment between the speaker and the person.
I could make your dreams come true
Confidently claiming the ability to fulfill dreams.
You say for you I'm number one
Acknowledgment of being considered the top priority by the person.
Just meeting me is such fun
Emphasizing the enjoyable nature of meeting the speaker.
Oh no, you won't go, don't know what you're missin
Expressing disbelief at the prospect of missing out on something.
You say, you won't stay, you stop me when we're kissin
Resistance to staying and a request to stop the speaker during a kiss.
Stop me when we're kissin
Reiteration of the request to stop during a kiss.
You come backstage to talk awhile
Describing a backstage encounter for conversation.
I want to party 'cause that's my style
Expressing a desire to party and indicating the speaker's lifestyle.
Young & tight you're what I need
Expressing a preference for a youthful and tight companion.
Your fantasies I want to feed
Desire to fulfill the person's fantasies.
So come with me, back to my place
Invitation to go back to the speaker's place.
You know you've got such a pretty face
Complimenting the person on their attractive face.
I'll show you how it is to be
Promise to show how it feels to be with a rocker like the speaker.
Hanging around with a rocker like me
Highlighting the experience of being with the speaker.
Tellin me you've gotta run
Notification of the need to leave.
Cuttin out before the damage is done
Expressing a desire to avoid negative consequences by leaving early.
Come on babe that ain't no fun for me
Stating that leaving early isn't enjoyable for the speaker.
Cuttin down ain't where it's at
Rejecting a reduction in activities, preferring a direct approach.
You're just a tease and that's a fact
Labeling the person as a tease and asserting it as a fact.
No more talk it's going nowhere
Ending unproductive conversation and actions.
And neither are you, you just sit and stare
Asserting the lack of progress and implying a lack of interest.
Time to go I'll say goodbye
Deciding to leave and bidding farewell.
I thought I saw tears in your eyes
Perceiving tears in the person's eyes upon departure.
You watch me leave in my limousine
Observing the person watching the speaker leave in a luxurious vehicle.
And you go home to your poster dreams
Imagining the person returning home to dreams represented by posters.
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