Gahd Damn

Sensual Serenade: Unveiling the Mystique of Sword Beach's 'Gahd Damn'
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Lyrics

Well hello little chicky D,

Expressing a casual greeting to a woman, possibly named Chicky D.

Can a fellow see your pillow and find out what your serving on the menu please

Inquiring about the woman's interests or desires in a playful manner.

Or would you rather hear my specialties

Suggesting the option of sharing personal preferences or specialties.

You can get it rough, the other option is a mellow D.

Presenting two contrasting choices, one rough and the other mellow.

You best believe there's a secret to my recipe.

Asserting that there is a hidden aspect to the speaker's unique qualities.

A dash of of dilla, a dash of doom, and some elbow grease

Listing ingredients metaphorically, suggesting a blend of elements in the speaker's character.

A splash of guru coming through you, may he Rest In Peace

Paying homage to Guru, a deceased rapper, possibly indicating influence or inspiration.

I know you wanna an aperitif but damn girl I have to leave

Expressing the need to leave despite the woman's interest.

Damn girl I have to leave your pulling at my sleeve yo

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But damn girl I have to leave.

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girl, God Damn. What the fuck you do to me?

Expressing intense attraction and its physical effects on the speaker.

I feel like I can't stand.

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Ah girl, God Damn, Got you walkin funny now I feel like I'm the man.

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I'm the, girl, God Damn. What the fuck you do to me?

Reiterating the impact of the woman's influence on the speaker.

It feel like I can't stand.

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girl. God Damn.

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Now it's two in the morning drunk as hell

Describing a late-night scene, possibly after a night out, with the woman and alcohol involved.

Got you walkin down the street like a baby gazelle

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Got your heels in your hand screamin go to hell.

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Then it's back to the crib for some Ale and L's

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And you can squack to the flock at brunch kiss and tell

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You need to swing over here so I can crack your bell

Inviting the woman closer, using metaphorical language.

You be like, what the fuck you talk about bangin or bars

Responding to potential questions about the speaker's activities with a mix of humor and imagery.

Well a little bit of both right now my head is in the stars

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Im rollin off the tongue like a spanish chick with r's

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Cause what you doing to me got my head up in the stars like

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girl, God Damn. What the fuck you do to me?

Repeating the impact of the woman's actions on the speaker's state.

I can barely stand

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girl, God Damn, I got you walkin funny now I feel like I'm the man.

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I'm the girl, God Damn. What the fuck you do to me?

Continuing to express the physical and emotional impact of the woman.

I can barely stand

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girl, God Damn, Got you walkin funny now I feel like im the

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fell like im the

Repetition for emphasis.

Okay let me take a minute just to recap and breathe

Reflecting on the experiences shared, using playful and metaphorical language.

Im shakin from my kneecap after tuckin in your wizard sleeve

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Messed all your makeup got you wetter than anemones

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Rest up when you wake up pull your legs up like a centipede

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May I have another street fighter round three

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Spinnin around the room kama sutra chun lee

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I can't see the future but I bet that we can beat

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Every crazy thing that we just did so lets see

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Let's see

Repeating the idea of reflecting on past experiences for emphasis.

Every crazy thing that we did so lets see

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girl, God Damn. What the fuck you do to me?

Reiterating the intense impact of the woman on the speaker.

I feel like I can't stand.

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girl, God Damn, Got you walkin funny now I feel like I'm the man.

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I'm the, girl, God Damn, What the fuck you do to me?

Concluding with the continued expression of the overwhelming influence of the woman.

I feel like I can't stand.

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girl God Damn

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The lyrics of this song contain explicit content.
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