Face, Pt. 2

Intimate Rhythms: Exploring Passion in 'Face, Pt. 2' by Dox Kenzo
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Lyrics

My face touching your face

Expressing physical closeness and intimacy, setting the tone for the song.

Touching your face, touching your face

Repetition emphasizing the connection and touch between faces.

My face going to its favorite place

Referring to a personal and cherished location, possibly metaphorical.

Like dinner on a plate

Drawing a comparison between the face going to a favorite place and dinner on a plate, suggesting value and satisfaction.

I know you wanna play

Acknowledging a desire or readiness for playful interaction.

My face touching your face

Repetition of the theme of physical closeness and the favorite place metaphor.

Touching your face, touching your face

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My face going to its favorite place

-

Like dinner on a plate

-

I know you wanna play

Reiteration of the readiness for play, maintaining a lighthearted tone.


Sunday we went stupid

Describing the events on different days, showcasing a range of emotions from silliness to ruthlessness.

Could've called us doovis

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Monday I was cupid

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Tuesday I was ruthless (I said)

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Sunday we went stupid ey

Repeating the experiences of Sunday and Monday, emphasizing their significance.

Could've called us doovis (I said)

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Monday I was cupid

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Tuesday I was ruthless

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So on Wednesday we didn't talk

Describing a period of silence or non-communication on Wednesday.

We didn't talk

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But on Thursday we made up

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We made up

Highlighting reconciliation on Thursday, love on Friday, and a creative gesture on Saturday through a song dedication.

And on Friday we made love

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We made love

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And on Saturday I made a song for you

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Like Donny Hathaway (se se)

Reference to Donny Hathaway, possibly suggesting a soulful or emotional dedication in the song.


Kara kara den kama nos ta bentá

Mixing languages, describing a scene where faces are touching and windows are open for a breeze, with a transition to steam at night.

Bentana habri pa e breeze

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Paso awe nochi ta steam (se se)

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Kara kara den kama nos ta bentá

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Bentana habri pa e breeze

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Paso awe nochi ta steam (se se)

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Ey

An exclamation or emphasis on the previous lines.


My face touching your face

Repetition of the theme of physical closeness and playfulness.

Touching your face, touching your face

-

My face going to its favorite place

-

Like dinner on a plate

-

I know you wanna play

-

My face touching your face

-

Touching your face, touching your face

-

My face going to its favorite place

-

Like dinner on a plate

-

I know you wanna play

-

Lately you've been questioning

Assuring and expressing the enduring passion and love, reinforcing the desire for physical connection.

If I still feel you the same way

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When my face touch yo' face

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Oh my blood still pumps around crazy

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Don't you know I wanna touch you so

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Oh this moment's so beautiful

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Now let me reassure you darling

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I'ma get you right all night

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Kara kara den kama nos ta bentá

Repeating the multilingual description of a scene with windows open for a breeze, transitioning to steam at night.

Bentana habri pa e breeze

-

Paso awe nochi ta steam (se se)

-

Kara kara den kama nos ta bentá

-

Bentana habri pa e breeze

-

Paso awe nochi ta steam (se se)

-

A kiss on the cheek and a

Describing kisses on the cheek and mouth, suggesting intimacy and a desire to elevate the connection to a dreamlike state.

Kiss on the mouth

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Now whisper to me and let's

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Fly to the clouds

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A kiss on the cheek and a

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Kiss on the mouth

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Now whisper to me and let's

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Fly to the clouds (let the beat ride)

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My face touching your face

Repetition of the central theme of physical closeness, emphasizing the desire to play and expressing affection.

Touching your face, touching your face

-

My face going to its favorite place

-

Like dinner on a plate

-

I know you wanna play

-

My face touching your face

-

Touching your face, touching your face

-

My face going to its favorite place

-

Like dinner on a plate

-

I know you wanna play

-
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