Isabelle
Morning Haze and Lady in Grey: Isabelle's Unveiling
Lyrics
Good morning Isabelle, good morning
Expressing a greeting to Isabelle in the morning.
it’s good to see you again
Expressing happiness at seeing Isabelle again.
When the clouds give way and the haze frees your face
Describing the moment when clouds clear and haze reveals Isabelle's face as a favorite part of the day.
that’s my favorite part of the day
Highlighting the beauty of Isabelle's face when it becomes visible.
Good morning Isabelle, good morning
Repeating the morning greeting to Isabelle.
you’re wearing that same old dress again
Observing that Isabelle is wearing the same dress again.
underneath no flesh, no beating heart
Describing Isabelle with no physical or emotional attributes, suggesting a sense of emptiness or detachment.
no hunger for love or a fresh new start
Portraying Isabelle as lacking qualities like love or a desire for a fresh start.
Isabelle, at least, you can’t run away
Noting that Isabelle, at least, cannot run away, possibly implying a sense of confinement or stagnation.
It’s a blessing or a curse
Reflecting on whether the situation with Isabelle is a blessing or a curse, suggesting ambiguity or complexity.
that we’re not carved in stone
Emphasizing that humans, unlike Isabelle, are not fixed in stone, avoiding permanence or rigidity.
that we’re not carved in stone
-carved in stone like you.
-Isabelle, oh Isabelle, here’s what you are
Addressing Isabelle and defining her as proof of victory, possibly alluding to historical or symbolic significance.
their proof of victory, their lady in grey
Describing Isabelle as "their lady in grey," associating her with a particular role or image.
keep looking south, keep your head up high
Instructing Isabelle to keep looking south and maintaining a positive stance, referring to a specific direction and historical context.
like they wanted you to in 1885
-Isabelle, at least, you can’t run away...
Repeating that Isabelle, at least, cannot run away, reinforcing the idea of confinement or limitation.
It’s a blessing or a curse
Reiterating the idea that humans are not carved in stone like Isabelle, emphasizing the flexibility and changeability of human nature.
that we’re not carved in stone
-that we’re not carved in stone
-carved in stone like you.
-It’s a blessing or a curse
Repeating the theme of humans not being carved in stone like Isabelle, underscoring the contrast between the two.
that we’re not carved in stone
-that we’re not carved in stone
-carved in stone like you.
-Good night, Isabelle, good night
Wishing Isabelle good night and expressing an intention to continue the interaction tomorrow.
let’s pick it up from here tomorrow
Proposing to pick up the conversation from where it left off, suggesting continuity.
Where powerful actions and powerful feelings
Concluding with a statement about powerful actions and feelings continuing to grow, indicating ongoing development or change.
will keep on growing
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