Lyrics
Who's next on the playlist?
Questioning the next entry on the playlist, anticipating what comes next.
With the clicks that make it the hottest
Highlighting the impact of clicks on popularity, suggesting digital influence.
Influenced and ad infused
Commenting on the pervasive influence of ads in contemporary music.
It's buried then exhumed
Describing a cycle of burying and resurrecting music, possibly referring to trends.
It's not fate when they close the gates
Rejecting the notion of fate in music, implying control over access and exposure.
Consolidate and choose our tastes
Advocating for the power to consolidate and choose musical preferences.
Don't call it innovation
Rejecting the term "innovation" for music, suggesting it's not entirely new.
It's happened before
Acknowledging that similar phenomena have occurred in the past.
It's how radio was born
Drawing a parallel between the described situation and the birth of radio.
Don't call it innovation
Repeating the rejection of labeling it as innovation, reinforcing the historical context.
It's happened before
Reiterating that such occurrences have historical precedence.
It's how radio was born
Restating the connection between the described situation and the birth of radio.
Who's next on the playlist?
Repeating the anticipation of the next entry on the playlist.
With the clicks that make it the hottest
Reiterating the influence of clicks on determining the hottest tracks.
Influenced and ad infused
Echoing the theme of influence and advertising saturation in music.
It's buried then exhumed
Reiterating the cyclical nature of burying and resurrecting music.
It's not fate when they close the gates
Stressing the lack of fate in music distribution and access.
Consolidate and choose our tastes
Encouraging the act of consolidating and actively choosing musical preferences.
Who needs the airwaves perched in a cloud?
Raising a rhetorical question about the necessity of traditional airwaves in the digital age.
Don't call it innovation
Repeating the rejection of the term "innovation" for music.
It's happened before
Restating the historical recurrence of similar phenomena in music.
It's how radio was born
Reiterating the association between the described situation and the birth of radio.
Don't call it innovation
Repeating the rejection of labeling it as innovation.
It's happened before
Emphasizing the historical context of similar occurrences.
It's how radio was born
Restating the connection between the described situation and the birth of radio.
Who needs the airwaves perched in a cloud?
Reiterating the rhetorical question about the necessity of traditional airwaves.
Who plays for it?
Posing a question about who selects music for broadcast.
Who pays for it?
Posing a question about who financially supports the music being played.
Who manufactures the sound?
Pondering on the entity responsible for creating the music being broadcasted.
It's how radio was born
Affirming that the described situation is integral to the birth of radio.
It's how radio was born
Repeating the significance of the situation in the context of radio's origin.
It's how radio was born
Reiterating the role of the described situation in the birth of radio.
It's how radio was born
Emphasizing the historical connection between the situation and radio's origin.
Who plays for it?
Repeating the question about who selects music for broadcast.
Who pays for it?
Repeating the question about who financially supports the music being played.
Who manufactures the sound?
Repeating the question about the entity responsible for creating the music being broadcasted.
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