Be The One
Embracing Shadows: A Journey Through Love and Redemption
Lyrics
I see the moon
The speaker repeatedly observes the moon, possibly indicating a cycle or a constant in their life.
I see the moon
-I see the moon
-Oh, when you're looking at the sun
Suggests contrast between looking at the moon and looking at the sun, possibly symbolizing different perspectives or emotions.
I'm not a fool
The speaker asserts that they are not a fool, emphasizing a desire for honesty or clarity in the relationship.
I'm not a fool
-I'm not a fool
-No, you're not fooling anyone
Denies that the other person is fooling anyone, suggesting a lack of deception is apparent.
Oh, but when you're gone
Expresses a sense of loss or emptiness when the other person is gone.
When you're gone
-When you're gone
-Oh, baby, all the lights go out
The speaker acknowledges a mistake, expressing a willingness to reconcile and work through the issues.
Thinking, oh that, baby, I was wrong
-I was wrong
-I was wrong
-Come back to me, baby, we can work this out
Invites the other person to come back and work things out together.
Oh, baby come on, let me get to know you
Urges the other person to give another chance, promising not to let them down.
Just another chance so that I can show
-That I won't let you down, oh no
-No, I won't let you down, oh no
Reiterates the commitment not to let the other person down.
'Cause I could be the one
Asserts the speaker's potential to be the one for the other person, emphasizing the possibility of a meaningful connection.
I could be the one
-I could be the one
-I could be the one
-I see in blue
Describes seeing in blue, possibly symbolizing a melancholic or sad perspective.
I see in blue
-I see in blue
-Oh, and you see everything in red
Describes a difference in perception ("everything in red") and acknowledges the other person's impact on the speaker's thoughts.
And there's nothing that I wanna do for you
-Do for you
-Do for you
-Oh, 'cause you got inside my head
-Oh, but when you're gone
Repeats the theme of emptiness when the other person is gone.
When you're gone
-When you're gone
-Oh, baby, all the lights go out
Repeats the acknowledgment of a mistake and the desire to reconcile.
Thinking, oh that, baby, I was wrong
-I was wrong
-I was wrong
-Come back to me, baby, we can work this out
Reiterates the invitation to come back and work things out.
Oh, baby come on, let me get to know you
Repeats the request for another chance, vowing not to let the other person down.
Just another chance so that I can show
-That I won't let you down, oh no
-No, I won't let you down, oh no
Reiterates the commitment not to let the other person down.
'Cause I could be the one
Emphasizes the speaker's potential to be "the one" for the other person through repetition and variation.
I could be the one
-I could be the one
-Be the one, be the one
-Be the one, be the one
-Be the one, be the one
-I could be the one
-Be the one, be the one
Continues the repetition, reinforcing the speaker's desire to be the one for the other person.
Be the one, be the one
-Be the one, be the one
-I could be the one
-Be the one, be the one
-Be the one, be the one
-Be the one, be the one
-I could be the one
-Be the one, be the one
Poses a question about being together, expressing a longing for a deeper connection.
Be the one, be the one
-Will you be mine?
-Oh, baby come on, let me get to know you
Reiterates the request for another chance, promising not to let the other person down.
Just another chance so that I can show
-That I won't let you down, oh no
-No, I won't let you down, oh no
-'Cause I could be the one
Repeats the assertion of the speaker's potential to be "the one" for the other person.
I could be the one
-I could be the one
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