the cat tracks in sweet grass

Whispers of Existence: Unveiling the Mysteries in Max García Conover's Melody
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Lyrics

so i went back sober and lean

Returning sober and lean to a place

with an island of rags that i found in a dream

Carrying a collection of rags discovered in a dream

i don't care anymore what it could mean to you now

Expressing indifference to the meaning for someone else


sha la la la don't say it clean

Using "sha la la la" to avoid speaking plainly

you can harness the hardest the wings or the beast

Suggesting the ability to control either the gentle or fierce aspects

with this generous well of baseless belief in it now

Believing strongly in something without a solid foundation


the cat tracks in sweet grass the crown prince's lilacs

Referring to cat tracks in sweet grass and the crown prince's lilacs

and maybe i never was there

Expressing doubt about past presence

maybe the feeling is rare

Considering the rarity of a certain feeling


how many rooms how many bodies

Pondering the number of rooms and bodies experienced

before you were found turning blue in the lobby

Reflecting on a moment before being discovered in a critical condition

and weren't all the watchers wearing the same pair of eyes

Noting the shared observation with others


and wasn't the moon big in the window

Recalling the moon appearing significant until interrupted

until maybe geese went across it in shadow

Describing a change in perception caused by passing geese

and weren't you a goose and weren't you the moon too then

Posing a question about identity and transformation


so what if it's roses and what if it's poses

Considering whether it's about roses or mere poses

it's sha la la la la la

Emphasizing the uncertainty with "sha la la la la la"

the silence in mangroves

Mentioning silence in mangroves as a contrasting element

the violence in plainclothes

Highlighting violence hidden in plain sight

i don't mean to name it or try to explain it

Clarifying the intention not to define or explain

the cat brought some mice in but where are their faces

Noting the presence of mice brought by a cat and the absence of their faces

and sha la la la la la

Repeating "sha la la la" as a refrain

sha la la la la la

Continuing the refrain, maintaining a sense of uncertainty

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