Lyrics
Oh snap, you know this track is fly, so get crunked up and don't ask why.
Encouragement to enjoy the track without questioning.
Post-rap, post-punk, post-Kurt Cobain, post cool Moe Dee post-House of Pain.
Referencing various musical influences after the era of Kurt Cobain.
Chuck D told me I had to be me so I bought the Public Enemy CD.
Inspired by Chuck D's advice to stay true to oneself.
I ripped one track in .mp3, "ill Lars Ulrich came after me.
Created an .mp3 track, referencing Lars Ulrich's reaction.
I said, "It's me your lost nephew", he said, "No way, that can't be true."
An imagined encounter with Lars Ulrich.
I kicked him with my Converse shoe all the way to Timbuktu.
Using humor, pushing Lars Ulrich away symbolically.
Of Wolf and Ulrich, Sad But True, he lived there for a year or two.
Referencing Metallica's "Sad But True" and Lars Ulrich.
He mastered Puppetry alone, justice for Sean Fanning clones.
Mastering technology, referencing Sean Fanning and legal issues.
Now that's fresh. Now that's fresh, that's fresh (get fresh).
Reiterating the term "fresh" in a celebratory manner.
Now that's fresh, that's fresh (I get fresh).
-Now that's fresh, that's fresh (get fresh). Now that's fresh,
-My Dad's named Bob, he toured with me, when a UK label put out my CD.
Mentioning father's support during initial music ventures.
I got mad props from the BBC, but hip-hop heads still don't get me.
Recognition from BBC, yet lack of acceptance from some hip-hop circles.
So I take a chance, I rhyme white but so what? I like James Brown and Beyonce's butt.
Expressing disregard for racial boundaries in music.
Whatever your race I'll Friendster you and rent two Spike Lee NetFlix too.
Willingness to connect with diverse people and cultural references.
And I still rock shows and try to dance, still rock Simpsons underpants.
Remaining true to oneself despite external perceptions.
And I still like Rush and Dr. Dre. I still keep bumping N.W.A.
Eclectic music taste - from Rush to N.W.A.
I get fresh on the mike like a milkman on duty,
Confidently asserting skill on the microphone.
So burn this disco to the ground and baby shake that booty.
Encouragement to dance and enjoy the music.
I attack the track like a Steve Segal movie. 3D fresh, not 2D fruity.
Approaching music with depth, not superficiality.
Now that's fresh. Now that's fresh, that's fresh (get fresh).
Continued celebration of being "fresh."
Now that's fresh, that's fresh (I get fresh).
-Now that's fresh, that's fresh (get fresh). Now that's fresh,
-05 so live, I've been doing this for years,
Expressing longevity in the music industry, confidence, and references to mythology and other musicians.
making money 'cause I'm funny with this music of the spheres.
-And I dance! Hey, watch me dance.
-Goofy MC's can't be me even if they had the chance.
-Pondora have you seen Persephone?
-Hades rabies got me going like KRS-One.
-Why is that? (I don't know) MC's act like they don't know.
-I poison this track with a Scorpion flow.
-Because I rock the mike like a hurricane.
Repetition emphasizing the powerful impact on the microphone (like a hurricane).
Because I rock the mike like a hurricane.
-Because I rock the mike like a hurricane.
-Because I rock the mike, hurricane fresh!
-Now that's fresh. Now that's fresh, that's fresh (get fresh).
Reiterating the celebratory tone around being "fresh."
Now that's fresh, that's fresh (I get fresh).
-Now that's fresh, that's fresh (get fresh). Now that's fresh,
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