You Made a Monster

Emphasizes the importance of physical fitness ("Six-Pack") over punk rock rebellion ("Bollocks").

Indicates a lack of concern for punk bands like PISTOLS or BLACK FLAG.

Describes engaging in sexual activities while listening to PORTISHEAD and MASSIVE ATTACK, creating a unique atmosphere.

References James Brown's song "Papas Got A Brand New Bag," suggesting an eclectic taste in music.

Lists influential hip-hop and rap artists like GRANDMASTER FLASH, BAMBAATA, and RUN DMC, promoting messages of peace, love, and unity.

Reflects on the positive impact of The Message by GRANDMASTER FLASH, advocating for peace, love, and unity.

Expresses a sense of loneliness while enjoying a Black Celebration, possibly referring to a Depeche Mode song.

Names influential funk and soul artists like PARLIAMENT, FUNKADELIC, and THE FAMILY STONE.

Mentions jazz legends MILES DAVIS, COLTRANE, and THELONIUS MONK, highlighting a genuine appreciation for jazz.

Recognizes BOOTSY COLLINS for authenticity in funk music, contrasting with those who "fake the funk."

References electronic music pioneers like HOWIE B, SQUAREPUSHER, and APHEX TWIN, signaling a new era in music.

Suggests the emergence of a new musical era through glimpses provided by these artists.

Describes how STEVIE WONDER elevated the RED HOT CHILI PEPPERS to a higher level.

Recalls unconventional party scenes with socks on genitals, possibly alluding to a carefree atmosphere.

Refers to PINK FLOYD's deconstruction of societal norms in "The Wall," making individuals feel small in the shadow of greatness.

Reflects on the humbling effect of being surrounded by great musical works.

Expresses the emotional richness derived from a diverse record collection.

Acknowledges the influence of EDDIE VAN HALEN on aspiring musicians with an itchy desire to play.

Recalls watching TALKING HEADS on TV at a ski resort, showcasing a blend of music and recreational activities.

Describes listening to the jazz fusion band WEATHER REPORT.

Considers PRINCE & THE REVOLUTION as a symbol marking a phase in personal evolution.

Stresses the refusal to forget iconic rock band LED ZEPPELIN.

Integrates the influence of the band HELMET into the musical journey.

Highlights ZAPPA as a multifaceted figure, both musician and political commentator.

Reflects on the impact of ZAPPA in amusing, annoying, and raising awareness among people.

Introduces Lars Ulrich, drummer of Metallica, as "Enter Sandman," connecting to the era of ZIGGY AND THE SPIDERS FROM MARS.

Welcomes the theatrical and iconic characters from David Bowie's era.

References a personal experience at Roskilde Festival, possibly expressing discomfort during a FLUKE performance.

Describes a sense of nausea or discomfort in response to a FLUKE performance.

Expresses respect to influential figures and the audience, emphasizing collective appreciation.

Reiterates that the audience, not the musicians, is responsible for creating a "monster."

States the theme that the audience, through their choices and preferences, is responsible for creating a "monster."

Affirms the idea that the "monster" in the context of music is a collective creation and not solely the fault of the musicians.