The Adultress
Confessions of an Unwanted Heart: The Adulteress' Tale
Lyrics
I'm the adulteress
I acknowledge being involved in adultery.
But I didn't want to be and I'm convenient
I didn't choose this situation willingly, and it's a convenient circumstance for me.
And I make good tea
Despite my situation, I excel in making tea, perhaps highlighting a mundane skill amidst complexity.
I stand accused
I am accused of committing the worst crime in history, building a sense of intrigue around my actions.
Of the worst crime in history
The gravity of the accusation adds to the mystery surrounding me.
That's my mystery
The mystery surrounding me is a central aspect of who I am.
I'm the adulteress
I reiterate my role as the adulteress, emphasizing its significance.
I go to the park
I engage in simple activities like going to the park, indicating a desire for normalcy.
With a bag of crumbs for the birds
I bring bird food to the park, possibly symbolizing efforts to nurture relationships.
That's where we meet without words
I meet someone without the need for words, suggesting a deeper, non-verbal connection.
He takes my hand
A physical connection is established as hands are held, signifying intimacy.
And stares into the wood
We look into the woods, a metaphor for the unknown aspects of our relationship.
There's nothing to understand
There's a lack of need for understanding, as the situation is inherently clear.
It's understood
The clarity in our relationship dynamics is acknowledged.
I'm the adulteress
I reassert my identity as the adulteress, underlining its importance.
Look at the fool
A shift in focus to another character, possibly reflecting on societal judgments.
Made up to go out
The described person is preparing to go out, emphasizing external appearances.
She's desperate and lonely
She is portrayed as desperate and lonely, possibly facing societal pressures.
But she's puttin' it about
Despite her struggles, she is engaging in casual relationships.
Look at the spinster
Another character, a spinster, is introduced, hinting at societal expectations.
Comin' down off the shelf
She is in love but struggles with self-loathing, illustrating internal conflicts.
She's in love and she hates herself
The internal conflict adds complexity to her character.
Don't try to stop me
A plea not to intervene or obstruct my chosen path.
Don't get in my way
A warning against trying to prevent my actions.
It's too late
Time has passed, and my decisions have been made.
I've made my play
I've taken decisive actions, and it's too late for external influence.
Does misery love company
Questioning if misery seeks companionship, pondering the universal nature of suffering.
I'll be in the bar
Hinting at my location in a bar, suggesting a retreat or escape.
You'll find me
Expect to find me in the bar, indicating a chosen place of solace or contemplation.
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