Lyrics
You say you're mine, but your make up is running away tonight
You claim to be mine, but your makeup is running away tonight.
Embracing the fall in a downward line
Accepting a decline or failure in a descending path.
cnd I guess this good thing has to go
Expressing the idea that this positive thing must come to an end.
cnd I could ask, but all rather not be revealed at last
Could inquire, but would prefer to keep things hidden or undisclosed.
The fools and the wise can agree for once
Suggesting an unusual agreement between both foolish and wise individuals.
That hearts break at various pace
Acknowledging that hearts break at different rates or in different ways.
cin't gonna wait, ain't gonna waste none of my time
Not willing to wait, and unwilling to waste time.
Come my way and I know you're lying
Expressing skepticism about the truthfulness of someone approaching.
ct first I thought “is you the last”, hunny went “not so fast!”
Initially thinking the person might be the last, but realizing it's not the case quickly.
Come my way and complete the rhyme, my my how you made me die
Inviting the person to come closer and complete a metaphorical rhyme, highlighting the impact they had.
ct first I thought “is you the fate”, and now I got a headache
Initially considering the person as fate but now experiencing a headache, possibly from confusion or frustration.
Post away, the apocalypse happened, its post-decay
Referring to a post-apocalyptic scenario, possibly in the aftermath of a significant event.
Now I am searching for “block mistake”
Searching for a solution or correction to a perceived mistake ("block mistake").
The crime is I still see your face
Despite the situation, still seeing the face of the person involved in the past.
cin't gonna wait, ain't gonna waste none of my time
Reiterating the unwillingness to wait or waste time.
Come my way and I know you're lying
Expressing doubt about the honesty of someone approaching again.
ct first I thought “is you the last”, hunny went “not so fast!”
Similar to line 10, questioning if the person is truly the last, with a realization that it's not.
Come my way and complete the rhyme, my my how you made me die
Inviting the person to come closer again and complete the metaphorical rhyme, expressing the impact on the speaker.
ct first I thought “is you the fate”, and now I got a headache
Repeating the idea of initially considering the person as fate but now dealing with a headache.
cin't gonna wait, ain't gonna wait x3
Emphasizing the refusal to wait, repeated three times for emphasis.
cin't gonna wait nah nah none of my
Reiterating the determination not to wait or waste time.
Come my way and complete the rhyme, my my how you made me die
Inviting the person again to complete the metaphorical rhyme and reflecting on the impact.
ct first I thought “is you the fate”, and now I got a headache
Repeating the idea of initially considering the person as fate but now dealing with a headache.
Comment