Femme Fatale
Femme Fatale's Midnight Seduction: A Tale of Irresistible Trouble
Lyrics
ain't you heard that, babe, I'm trouble
Expressing a rebellious or challenging nature, suggesting the speaker is trouble.
and I've been looking for you all my life
Implies a long search for someone, possibly a soulmate or a significant connection.
when they see me they start running
People react fearfully or avoid the speaker, anticipating trouble.
cause trouble's coming for you day and night
Indicates that trouble is a constant companion, both day and night.
you can blame it on the stars
Suggests external factors or fate as a cause for the speaker's troublesome nature.
you can tell it to the moon
Referring to the idea of confessing to the moon, possibly a metaphor for seeking solace or understanding.
babe, I wouldn't be so bad if it didn't feel so good
Acknowledging the allure of trouble despite its consequences.
you can try and escape me but I came for you
Asserts the inevitability of the speaker's presence in the listener's life.
like the sun, I get down
Comparing the speaker to the sun, suggesting a powerful and unavoidable force.
drape the day in a midnight black gown
Describes casting darkness with a sense of mystery or intensity.
and punch the buttons in the neon frown
Refers to interacting with technology (jukebox) in a way that reflects the speaker's mood.
of the jukebox til it brings me round
Suggests finding release or solace through music.
you can blame it on the stars
Reiterates the notion that external factors contribute to the speaker's nature.
you can tell it to the moon
Repeating the idea of confessing to the moon, emphasizing a desire for understanding or redemption.
babe, I wouldn't be so bad if it didn't feel so good
Reaffirms the paradoxical nature of the speaker's actions and their appeal.
you can try and escape me but I came for you
Reiterates the inescapable connection between the speaker and the listener.
ain't you heard that I'm an angel
Introducing a contrasting image of the speaker as an angel, perhaps alluding to a dual nature.
one kiss and it's lights out
Suggests the speaker's kiss has a powerful and transformative effect.
you can blame it on the stars
Recalls the notion of fate or external forces influencing the speaker's behavior.
you can tell it to the moon
Reiterating the act of confessing to the moon, adding a sense of urgency.
if you got somewhere to be you better get going soon
Indicates a need to act promptly or face the consequences of the speaker's presence.
you can try and escape me but I came for you
Reemphasizes the unavoidable connection between the speaker and the listener.
you can blame it on the stars
Repeating the idea of external factors contributing to the speaker's nature.
you can tell it to the moon
Reiterates the act of confessing to the moon, possibly expressing a longing for absolution.
baby, I used to be good but I went bad for you
Admits to a past goodness that was abandoned for the listener, acknowledging a sacrifice or transformation.
you can try and escape me but i came for you
Reiterates the inescapable connection and pursuit of the listener by the speaker.
Comment