Bill Blood
Unveiling the Depths: Bill Blood's Enigmatic Tale of Redemption
Lyrics
Ah here he comes now
A new character is introduced or arriving.
Already amused
The character is already entertained or pleased.
Gets up on the ladder
The character climbs a ladder.
With a handful of screws
Carrying screws, suggesting some practical task.
He straightened out then
The character straightens out, possibly overcoming difficulties.
He killed the pain
The character finds a way to numb emotional pain.
With distance and two
Uses distance and a pair of eyes for accurate focus.
crooked eyes on the aim
Suggestive of a determined or focused gaze.
No more praise for you
Repetition of "No more praise for you," possibly indicating a decision to stop praising someone.
No more praise for you
-No more praise for you
-Whatever you
Open-ended, leaving the subject of the praise ambiguous.
I held it all in
The narrator holds in emotions or thoughts.
I span like a wheel
The narrator feels like they are spinning or disoriented.
My world had turned grey
The world seems dull or colorless.
So I made a deal
The narrator makes a deal, implying a significant decision or arrangement.
The sky did open
The sky opens up, potentially a positive change or revelation.
And a body fell through
A body falls through the sky, introducing an unexpected element.
Ah here he comes now
A repetition of line 1, indicating a return of the character.
Already amused
Reiterating the character's amusement or satisfaction.
No more praise for you
Repetition of "No more praise for you," reinforcing the decision to stop praising.
No more praise for you
-No more praise for you
-Whatever you do
Leaving actions open-ended, urging caution or uncertainty.
I feel safe with you
The narrator feels safe with an unidentified "you."
I feel better than new
The narrator feels better than new with this person.
When I’m low
Expressing improvement or comfort during low moments.
I feel safe with you
Repetition of feeling safe, emphasizing the importance of this feeling.
And whatever you do
Leaving the actions of the unspecified "you" open-ended.
I won’t know
The narrator won't know the actions or decisions of the other person.
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