NARDWUAR

Fading Echoes: Navigating Chaos and Desire in Tommy Fushi's Nardwuar
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Lyrics

With a waterlogged chest you been holding your breath

Expressing the burden of emotional weight with a metaphor of a waterlogged chest and prolonged breath-holding.

Know I go a lil stressed getting off of my meds

Acknowledging personal stress while dealing with the challenges of discontinuing medication.

Know I'm doing my best while you holding the rain

Asserting effort and resilience while someone else is enduring difficulty.

But now you're swimming out here

Highlighting that the person is now in a situation beyond their capabilities or understanding.

Way outa ya depth

Emphasizing the depth of the challenging situation the person is currently facing.

Hand to hand I'm patty caking when I dap you up

Using a playful image of patty cake during a handshake, possibly reflecting superficial interactions.

One in oven cuz she didn't wanna lap you up

Referencing a rejected advance, using lap as a metaphor.

Cycle missing cuz she don't know how to handle bars

Suggesting a lack of control or direction in life, comparing it to riding a bike without handlebars.

Memory spotty then it bite you like a jaguar

Describing a sporadic memory that can surprise or impact like a jaguar's sudden attack.

Trappin' like a barbed wire

Engaging in risky activities comparable to navigating through barbed wire.

No filter like a pack of wides

Highlighting a lack of restraint or censorship, drawing a parallel to unfiltered cigarettes.

Eye for eye, I seen 'em die off the Fetty Wap

Recalling a past event involving retaliation, potentially related to Fetty Wap, a rapper known for eye-related issues.

This is not a war

Denying the existence of a conventional war, using wordplay with "war" and "Nardwuar," a Canadian interviewer.

Fitty proper, Nardwuar

Asserting uniqueness and correctness, akin to Nardwuar's interviewing style.

Red mangos on the counter top

Depicting a scene with red mangos on a counter, creating a vivid image.

Cocaine still on ya Otterbox

Referencing remnants of drug use on a phone case, suggesting lingering consequences.

And I been faded, but got no barbershop

Admitting to being intoxicated without access to a barber, indicating a disheveled state.

Out here, she a Lil Weezy from my lolipop

Describing a woman's behavior as reminiscent of Lil Wayne and using a metaphor involving a lolipop.

Two hoes on my cellular phone, but I'm

Acknowledging communication from multiple romantic interests.

Too stoned so I'm lying alone

Choosing solitude due to being under the influence and unable to engage.

And these poems gonna carry me home

Expressing reliance on poetry as a source of comfort or escape.

Utah (you talk) all that Jazz like you Karl Malone

Making a wordplay reference to the Utah Jazz basketball team and Karl Malone, linking to talking or boasting.

I know that you bad

Acknowledging awareness of someone's negative traits or behavior.

(Yeah I know that you bad)

Reiterating the acknowledgment of the person's undesirable qualities.

I know that you bad for me

Acknowledging the recognition that the person is not good for one's well-being.

I know that you bad

Repeating the acknowledgment of the person's negative impact while expressing desire.

(But I want you so bad, why do I want you still?)

Expressing a conflicting desire for someone despite knowing the negative consequences.

I know that you bad

Reiterating the recognition of the person's detrimental influence.

(Yeah I know that you bad)

Repeating the acknowledgment of the person's negative qualities.

I know that you bad for me

Reiterating the recognition that the person is not beneficial while expressing desire.

I know that you bad

Repeating the acknowledgment of the person's undesirable impact.

(But I want you so bad, why do I want you still?)

Expressing the ongoing internal conflict of wanting someone despite knowing it's not in one's best interest.

The lyrics of this song contain explicit content.
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