Madelyn

Unveiling Love's Echoes: Wade Forster's Melodic Tale of Heartbreak
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Lyrics

All those times I used to chase you round the park

Alludes to the speaker's past attempts to pursue Madelyn, perhaps in a playful or romantic context, symbolized by chasing around the park.

Trying to get a hold of your hand

Expresses the speaker's desire to connect with Madelyn by holding her hand.

Before the sun left and got too dark

Reflects on the fleeting nature of time, suggesting that the speaker tried to make a connection before it was too late.

Now all I've got is memories

Acknowledges the current state of having only memories, possibly hinting at a breakup or separation.

And wasted sands apart

Suggests a sense of loss and the distance that has grown between the speaker and Madelyn.

Don't know why I let go of your precious heart

Expresses regret for letting go of Madelyn's heart, indicating a pivotal moment in their relationship.

So don't you go leaving without saying one last goodbye before you go

Urges Madelyn not to leave without a proper farewell, emphasizing the importance of closure.

I just need to know the reason why I can't be that their guy in your front door

Asks for an explanation regarding why the speaker cannot be the person at Madelyn's front door, implying a sense of exclusion or rejection.

I'm losing hope in everything I've ever loved

Expresses a broader sense of despair and disillusionment, possibly due to various disappointments in the speaker's life.

Madelyn

Addresses Madelyn directly, suggesting a central role in the speaker's emotional landscape.

Nice house you got here it almost looks like ours

Compares Madelyn's current residence to a shared past, hinting at the emotional impact of separation.

Memories painted on the wall

References memories depicted on the wall, indicating a contrast between the past and the present.

With the new guy while I'm moving out

Suggests Madelyn's involvement with a new person, adding a layer of heartbreak and emotional displacement for the speaker.

Sleeping at a crossroads in my backseat

Depicts the speaker in a vulnerable state, sleeping at a crossroads in the backseat, possibly symbolizing life choices and uncertainty.

While he lives my old life and I'm nearly six feet deep

Contrasts the new person living the speaker's old life, emphasizing the impact of the breakup or separation.

So don't you go leaving without saying one last goodbye before you go

Reiterates the importance of a proper farewell, underscoring the need for closure in the face of emotional turmoil.

I just need to know the reason why I can't be that their guy in your front door

Repeats the inquiry about why the speaker cannot be the person at Madelyn's front door, emphasizing the unresolved question.

I'm losing hope in everything I've ever loved

Reiterates the overarching feeling of losing hope, extending to everything the speaker has ever loved.

Hope in everything I've ever loved

Emphasizes the pervasive loss of hope across various aspects of the speaker's life.

Madelyn

Concludes by addressing Madelyn again, highlighting her significance in the speaker's emotional struggles.

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